by Lexington for The Economist
Can rap save the world?
“WRITING about music is like dancing about architecture,” intoned Elvis Costello, a pop star. So a columnist approaches the subject of hip-hop (which includes rap) with caution. One cannot hope to capture its sound or fury on the page. Instead, Lexington will ask what it signifies. Is it “pavement poetry [that] vibrates with commitment to speaking for the voiceless,” as Michael Eric Dyson, a professor at Georgetown University, believes? Is it “an enormously influential agent for social change which must be responsibly and proactively utilised to fight the war on poverty and injustice,” as the Hip-Hop Summit Action Network (HSAN), a pressure group, contends? Or is it mostly “angry, profane and women-hating…music that plays on the worst stereotypes of black people,” as Bill Cosby harrumphs?
None of the above, argues John McWhorter, in a new book called “All About the Beat: Why Hip-Hop Can’t Save Black America”. Mr McWhorter, a fellow of the Manhattan Institute, a conservative think-tank, is a
a black superman
hip-hop fan. He likens the group OutKast to Stravinsky. He admits that some hip-hop lyrics display an ungentlemanly attitude towards women, but he doubts that listening to violent lyrics causes people to behave more violently. If it did, there would be more opera fans stabbing their ex-lovers outside bullfights.
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