All posts by DJ asee

HOT 5 – 5 Best Song Intros

You know these songs. It only takes their first few notes to get a party hype, even if the party is only you in your car on the way to work. DJs wouldn’t dream of skipping these intros—they’re guaranteed to please everyone from true heads to radio surfers.

Shook Ones Pt. II – Mobb Deep
“Shook Ones” will probably go down as Mobb Deep’s biggest hit. As a DJ back in ’94 (daaamn, I know), if I even scratched in those first few distinctive notes, the dance floor would be packed by the time you heard “To all the killers and the five-dollar billers.” I don’t think any of their songs since have created that much excitement.


When they Reminisce Over You (T.R.O.Y.) – Pete Rock & C.L. Smooth

It’s almost a DJ commandment: “Thou shall always play the opening horns from T.R.O.Y.”  I haven’t been at a party yet where they played “Reminisce” without them.  Skipping the very beginning of this song would be like not playing Busta’s growl in “Scenario”—you just don’t do it.

Check the Rhyme – A Tribe Called Quest
The beginning of Tribe’s “Check the Rhyme” just kicks in. When you hear that “uh, uh.uh. uh…” all the heads in the place break they necks for that nod. Other than “Case of the PTA” by Leaders of the New School, it’s the best song to get your 2- step on to.

Choice Is Yours – Black Sheep
The bass line under “Choice is yours” can sometimes catch you off-guard. Maybe because they’re whispering or something. What usually happens is a DJ blends it in with another song and you see signs of recognition slowly start to register on people’s faces. By then, Dres is saying “This or that, this or that,” and everyone is just waiting for that first line to drop. BOOM “Who’s the black sheep? What’s the black sheep…”

TIE (we couldn’t figure out which one to drop)
Jam On It – Newcleus 
Chief Rocka – Lords of the Underground

Taking ya way back.  “Jam On It” always seemed to come on after a slow song, but it’s the bass line — it’s gotta be the bass line. It’s a slow build, but once they hit the wiki-wiki wiki-wiki it’s on and probably pop-lockin. It’s the bass line, it’s GOTTA be the bass line (again).

“Chief Rocka” starts with the bass line too, and coupled with the “Chief Rocka-Chief Rocka” scratch, gives partiers a few seconds of “Oh, shit!” time to rush the floor. Even if you don’t know the rest, the opening “Boom shac-a-laka” line is strong enough to shake a room.

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Big what up to D-Nice (yeah, that D-Nice) . We ain’t cool or nuthin but D is doing a public service and recording rappers as they tell the stories behind some moments in hip-hop history. It’s nice to know what happens to rappers after the music stops.  D is seemingly doing well for himself (we’ll do an interview eventually): he’s a photographer now and does some Dj’ing on the side. Check him out here at his website.

ANYway I think y’all should know this dude:

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CLIP of the WEEK: Freestyle Fellowship – Inner City Boundaries

Back in ’93 when this gownhead was a fresh out of college head (Hampton University ’92). I heard this song from Frestyle Fellowship. It immediately caught might interest ’cause it sounded like somethin straight off a a jazz album. The funny thing is a I bought the album Inner City Griots and was like “uhhhhhhh NOT feelin it” and away it went into the collection. Fast forward 14 years later and I’m putting all my records on CD (that’s a post in itself) so i get to the “F”s and my wife has a copy of Freestyle Fellowship’s CD. I’m like cool I can rip “Inner City Boundaries” and not have to go through the trouble of actually recording the track. So I figure its been awhile so I check out the album. I’m like dammmmn what the hell was I thinking back in ’93? Is this the same album? Nuthin like 14 years to change your perspective. They say your hearing gets worse with age I don’t know, in some cases it gets better (then it goes down hill after that). Anyway I ended up ripping like 4 other tracks from the CD to add to my DJ rotation. For more info about Freestyle Fellowship check out All Music Guide here. Shout Out to The Hip-Hop Purist who e-mailed me the link. I wasn’t even thinking about them till he sent me the video. So now I share it with y’all enjoy.

“Inner City Boundaries” – Freestyle Fellowship

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5 Rappers We’re Surprised Are Still At It.

Rappers come and go. Some stay for awhile, while others burn hot for a minute and then go dark. When they first came out, these five seemed destined to fall into the latter category. Who knew we would still be caring about them years later? In no particular order:

Goodie Mob’s 1st album was pretty good, even spawning the hit single “Cell Therapy.” But it paled beside the brilliance of labelmates Outkast. So when Cee-Lo rolled out to go solo, many might have figured his 15 minutes was coming to an end. But the hits didn’t stop. It took awhile though; Cee-Lo dropped two critically acclaimed but commercially unsuccessful solo albums. Cee-Lo Green and his Perfect Imperfections and Cee-Lo Green. . . is the Soul Machine. But the little big man hit it huge partnering with producer Danger Mouse to form the group Gnarls Barkley and recording the smash single “Crazy.”

Ghostface Killah
From the slums of Shaolin, The RZA. The GZA, Ol’ Dirty Bastard, Inspectah Deck, Raekwon the Chef, U God, Ghostface Killer and the Method Man. Hold up..rewind that. When the Wu came bustin,’ through way back in ‘93 (dammmmn its been awhile), if somebody asked who would STILL be holding it down 15 years later, don’t front: NOBODY , none of y’all would have picked Ghostface. Well, take a look at him now. While Meth is still the biggest star in the Wu, thanks to Redman and The Wire, almost everybody agrees that GFK is reppin’ hardest on the music side. Since his debut, the Iron Man has dropped more gems than a one-armed thief and is still goin’ strong.

Who woulda thunk? Sure, he’s all big time now and has a pretty good catalogue (bout time for a greatest hits). But when Chris Luva Luva broke out his 1st single, “What’s Your Fantasy” had novelty hit written all over it. Now, eight years later the Ludameister is still rollin strong with his 6th platinum album.

Kool Keith
If you lived in New York in the late ‘80’s, the group that had the street hummin’ was a group from the Bronx, Ultra Magnetic MC’s. Critical Beatdown, depending on who you talk to, is considered a Hip Hop Classic. The albums cover is straight ’88. They’re all sporting their Dapper Dan hook-ups and the super tight high top fades (which may have still been called cameo cuts when the picture was taken). Anyway, did I say ’88? Janet ain’t the only one who can celebrate 20 years. Kool Keith been in it foe a minute. If the Wu popularized rappers having aliases, Keith elevated it to art. Dr. Octagon. Dr. Dooom. Black Elvis, Rhythm X and so on. Keith has blazed an underground trail like no other. Independent releases, major labels, limited editions, mix tapes, whateva. Kool Keith is proof that if a rapper is willing to take chances musically, conceptually, and lyrically somebody out there just might buy it.

Trick Daddy
With a name like Trick Daddy, how far can you go? Very far, apparently. When “Nannn” dropped in 2000, it looked like another novelty hit from the South (the other was some guy named Ludacris, see above). He even let another one-hit-wonder (or so we thought) rapper named Trina get a verse on it. Although the hits have slowed a little, Trick has put out bangers such as “Shut Up,” “I’m a Thug” and most recently “Bet That.”

Honorable Mention – Trina
“Nann” brought us more than just Trick Daddy. The diamond princess herself began her reign in 2000. Its eight years later and she’s still hittin,’ and this time she’s “Single Again”

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Welcome to the first post! No need to mark your calendar or remember how it happened, or what you were wearing today. Just tell your friends, aiight?

First off, I am not a writer.

I’m a fan.

I grew up on hip hop. If you’re like me, when you kick back and reminisce, the soundtrack to those good and bad old days is hip hop. Yeah, there’s a little R&B in the mix, but the majority of it is beats and rhymes. I consider the Fatboys to be a serious rap group, remember when LL was a new jack, and can recall when RUN-DMC was the biggest rap group ever. The problem is I’m a little older now—not really a problem, it’s just a fact. But with age things change. There was a time when I had to have to work to hear a rap song on the radio, or wade through all sorts of rock videos just to see one rap artist or black artist.

Nowadays hip hop rules the land. As a teenager I never thought this day would come. Unfortunately, like myself, many of us older heads don’t feel at home in this brave new hip-hop world. What we see and hear; yeah, they call it hip hop, but it just ain’t hitting the same. When I get together with my friends and music comes up, we sound like our parents when somebody invariable says, “These kids today don’t know good music!”

But the question is “Do you still love hip-hop?”

I’m gonna guess yes, since you’re still checking out the site. Some of us have given up the fight, switched to smooth jazz, neo-soul, or just listen to Best of CDs from old school artists. But the new stuff? Hell to the naw. I felt the same way and I’m a DJ. But one day, I had an epiphany: I realized I’m not supposed to like the songs that the kids listen to today, ya know? Ask me why (pause).

Cause I’m grown! Think about it: when you were a teen did your mom or dad like your music? Nope. Couldn’t believe their ears. “What’s all that spittin’ and makin’ noise?” (beatboxin) or “I can’t understand what they’re saying.” Your parents, like my parents, were having the same conversations we are having today. What are these kids listening to? But that’s the conversation we’re supposed to have. To quote a wise comedian, I’m a grown-ass man! On the down side of my thirties, I shouldn’t like the same songs as a thirteen-year-old, or at the very least it shouldn’t mean the same thing to me.

When I realized this, I was straight. I didn’t take hip hop’s change so personally. I stopped being repulsed and disgusted when “Laffy Taffy” came on. Now does this all mean I’m done, that I’m going to leave hip hop behind? Not at all! I just have to take it back to the old school: go seek out what I like. Anyway, what is love if there isn’t some sort of test?


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